Description
Long sustained sound objects supplement extended voice techniques in which the lost sense of time becomes a norm. Any fast and prompt changes within the texture are minimized–through minimal change–the effects of music parameters in the piece. Constant, continual, and in many ways endless note-durations present a driving force in which appearance of sudden, quick, and abrupt changes become rather coincidence. The overall effect of such approach makes timbre of voice and audio relatively similar in which the responsibility of shared music materials become equally distributed between them.